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home·artworks·In the Garden
In the Garden by Ipolit Strambu

plate no. 9466

In the Garden

Ipolit Strambu, 1930

oilImpressionismgenre paintingfiguresgardentabletreesoutdoorlunch
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve subtle variations and practice applying impressionistic brushstrokes to build form and texture. It also provides practice in capturing the effects of light and shadow in an outdoor setting.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and figures, paying attention to proportions and placement.

  2. step 02

    Establish the background by loosely blocking in the colors of the trees and foliage.

  3. step 03

    Block in the main colors of the figures and the table, focusing on the overall color harmony.

  4. step 04

    Begin to add details to the figures, such as facial features and clothing folds, using small, broken brushstrokes.

  5. step 05

    Develop the details of the table setting, including the dishes, glasses, and tablecloth.

  6. step 06

    Refine the lighting and shadows throughout the painting, adding highlights and deepening shadows to create depth.

  7. step 07

    Add final touches and details, such as small accents of color and texture.

  8. step 08

    Step back and assess the painting, making any necessary adjustments to the composition, color, or value.

color palette

primary · yellow ochre · ultramarine blue · burnt umber · titanium white

secondary · cadmium yellow · alizarin crimson · sap green

Achieve the various greens by mixing ultramarine blue and cadmium yellow with varying amounts of white. Use burnt umber and white to create the neutral tones for the table and figures.

techniques

  • ·Impasto
  • ·Broken color
  • ·Scumbling
  • ·Color mixing
  • ·Layering

common pitfalls

  • →Overblending colors, losing the impressionistic effect.
  • →Getting bogged down in details too early.
  • →Not paying attention to the overall color harmony.
  • →Ignoring the effects of light and shadow.

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Oil paints
  • ·Assorted brushes (round and flat)
  • ·Palette
  • ·Palette knife
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Rags

optional

  • ·Medium gloss
  • ·Easel
  • ·Color chart

Use a medium-tooth canvas to allow for good paint adhesion and texture. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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