apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·In the Garden at Maurecourt
In the Garden at Maurecourt by Berthe Morisot

plate no. 9606

In the Garden at Maurecourt

Berthe Morisot, 1884

oil, canvasImpressionismgenre paintingfiguresgardengrasstreeshatschairs
some experience helpful

Recreating this painting will help students develop skills in capturing light and shadow with loose brushstrokes and mixing subtle color variations to depict textures and forms in a natural setting.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and major elements.

  2. step 02

    Block in the large areas of color, starting with the background and then moving to the figures.

  3. step 03

    Develop the values and tones in the grass, using varied greens and yellows to create depth.

  4. step 04

    Add details to the figures, focusing on the light and shadow on their clothing and hats.

  5. step 05

    Refine the background elements, such as the trees and chairs, with loose brushstrokes.

  6. step 06

    Adjust the overall color harmony and value relationships to create a sense of unity.

  7. step 07

    Add final details and highlights to bring the painting to life.

  8. step 08

    Step back and assess the overall impression, making any necessary adjustments.

color palette

primary · viridian green · yellow ochre · burnt sienna · titanium white

secondary · alizarin crimson · ultramarine blue

Mix greens by blending viridian green and yellow ochre. Use burnt sienna and white for warm skin tones. Add small amounts of alizarin crimson and ultramarine blue to darken colors and create shadows.

techniques

  • ·broken color
  • ·wet-on-wet blending
  • ·scumbling
  • ·alla prima
  • ·impasto

common pitfalls

  • →Overworking the details and losing the freshness of the impressionistic style.
  • →Using too much detail in the background, which can distract from the figures.
  • →Failing to capture the subtle color variations in the grass and foliage.
  • →Creating muddy colors by overmixing.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·painting knife

Use a medium-grain canvas to allow for texture. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann