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home·artworks·In the Embers
In the Embers by Paul-Albert Besnard

plate no. 2746

In the Embers

Paul-Albert Besnard, 1887

etchingImpressionismgenre paintingfigureportraitwomanshadowslighthands
some experience helpful

Recreating this painting will teach students how to effectively use chiaroscuro to create dramatic lighting and how to build form with cross-hatching and layered strokes.

technical profile

palette complexity
2
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the figure's pose and proportions.

  2. step 02

    Establish the darkest areas of the background and clothing with a dark wash.

  3. step 03

    Define the light source and begin building up the highlights on the face and hands.

  4. step 04

    Use cross-hatching to create texture and depth in the shadows.

  5. step 05

    Layer strokes to gradually build up the mid-tones and refine the form.

  6. step 06

    Pay close attention to the direction of the strokes to convey the form's contours.

  7. step 07

    Add final details to the face and hands, focusing on the eyes and expression.

  8. step 08

    Soften edges and blend areas to create a sense of atmosphere.

color palette

primary · ivory black · raw umber

secondary · titanium white · payne's gray

Mix ivory black and raw umber for the dark tones. Use titanium white to create highlights, and payne's gray to soften the dark tones.

techniques

  • ·cross-hatching
  • ·dry brushing
  • ·chiaroscuro
  • ·value studies
  • ·layering

common pitfalls

  • →Overworking the details and losing the overall sense of atmosphere.
  • →Creating harsh lines instead of soft transitions between values.
  • →Failing to establish a strong light source and consistent shadows.
  • →Not paying attention to the direction of the strokes, which can flatten the form.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·payne's gray oil paint
  • ·#2 round brush
  • ·#4 filbert brush
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a smooth canvas to allow for detailed brushwork. Consider using a toned canvas to establish a base value.

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color theory for painters →how to learn by studying the masters →
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