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home·artworks·In the Dining Room
In the Dining Room by Berthe Morisot

plate no. 0574

In the Dining Room

Berthe Morisot, 1875

oil, canvasImpressionismgenre paintingfigureinteriorroomwindowtablechair
some experience helpful

Recreating this painting will help students develop skills in capturing light and shadow with loose brushstrokes and mixing subtle color variations to create depth and atmosphere.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and composition, focusing on the placement of the figure and major objects.

  2. step 02

    Establish the overall color scheme by blocking in the large areas of color with thin washes.

  3. step 03

    Begin to build up the values and details, using short, broken brushstrokes to create texture and movement.

  4. step 04

    Focus on capturing the light and shadow on the figure and objects, paying attention to the subtle color variations.

  5. step 05

    Refine the details and add highlights to create a sense of depth and realism.

  6. step 06

    Add the background elements, keeping them soft and blurred to maintain focus on the figure.

  7. step 07

    Adjust the overall color balance and contrast to create a harmonious composition.

  8. step 08

    Add final touches and details to complete the painting.

color palette

primary · titanium white · ultramarine blue · yellow ochre · burnt umber

secondary · cadmium red · ivory black · sap green

Mix various shades of gray and blue by combining white, black, and ultramarine blue. Use yellow ochre and burnt umber to create warm browns and earth tones. Add touches of cadmium red to create subtle highlights and shadows on the figure's face and hands.

techniques

  • ·broken brushstrokes
  • ·wet-on-wet blending
  • ·scumbling
  • ·color mixing
  • ·layering

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Using too much detail in the background, which can distract from the figure.
  • →Not capturing the subtle color variations in the light and shadow.
  • →Creating muddy colors by overmixing the paints.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (titanium white, ultramarine blue, yellow ochre, burnt umber, cadmium red, ivory black, sap green)
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife

optional

  • ·painting medium (e.g., Liquin)
  • ·varnish

Use a medium-grain canvas for best results. Experiment with different brush sizes and shapes to achieve the desired effect.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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