
plate no. 0791
Recreating this painting will help students develop skills in color mixing for subtle skin tones and capturing the impressionistic feel of light and shadow. It's also a good exercise in painting fabric and foliage with loose brushstrokes.
technical profile
approach — 8 steps
Lightly sketch the main shapes: figure, chair, and background.
Block in the main color areas with thin washes of color.
Start building up layers of color, focusing on the light and shadow.
Pay attention to the subtle color variations in the skin tones.
Add details to the face and clothing, keeping the brushstrokes loose.
Define the chair structure with darker tones.
Add highlights to create a sense of light and form.
Refine the background foliage with varied greens and browns.
color palette
primary · titanium white · yellow ochre · ultramarine blue · burnt umber
secondary · cadmium yellow · viridian green · alizarin crimson
Mix white with small amounts of yellow ochre and ultramarine for the dress. Use burnt umber and white for the chair. Greens are a mix of blue, yellow, and umber. Skin tones are achieved with white, yellow ochre, alizarin crimson, and a touch of blue.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Thin the oil paints with linseed oil for smoother blending.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein