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home·artworks·In the Church
In the Church by Nikolay Bogdanov-Belsky

plate no. 8944

In the Church

Nikolay Bogdanov-Belsky, 1939

oilImpressionismgenre paintingfigureschildrencandleschurchinterioricon
some experience helpful

Recreating this painting will help students develop skills in capturing subtle light effects and rendering figures in a dimly lit environment. It also provides practice in creating a sense of depth and atmosphere using color and brushwork.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the candle stand.

  2. step 02

    Establish the overall warm, muted color palette with a thin wash of burnt umber and raw sienna.

  3. step 03

    Block in the main shapes of the figures and the background, paying attention to the light and shadow patterns.

  4. step 04

    Begin to refine the details of the faces and clothing, using small brushstrokes to create texture and form.

  5. step 05

    Carefully render the candles and the light they cast, using brighter yellows and oranges to create a sense of luminosity.

  6. step 06

    Add subtle details to the background, such as the icon and the architectural elements.

  7. step 07

    Refine the overall composition, adjusting the values and colors as needed to create a cohesive and atmospheric painting.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and realism.

color palette

primary · burnt umber · raw sienna · yellow ochre

secondary · cadmium red · ultramarine blue · titanium white

Achieve the warm, muted tones by mixing burnt umber and raw sienna with small amounts of cadmium red and ultramarine blue. Use titanium white to lighten the colors and create highlights.

techniques

  • ·scumbling
  • ·dry brushing
  • ·chiaroscuro
  • ·layering
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the overall sense of atmosphere.
  • →Using colors that are too bright or saturated.
  • →Failing to capture the subtle light and shadow patterns.
  • →Ignoring the importance of the background in creating a sense of depth.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·yellow ochre oil paint
  • ·cadmium red oil paint
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-grit canvas for best results. Consider toning the canvas with a thin wash of burnt umber before beginning to paint.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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