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home·artworks·In the brewery in Munich
In the brewery in Munich by Philip de Laszlo

plate no. 5669

In the brewery in Munich

Philip de Laszlo, 1892

oilImpressionismgenre paintingfiguresinteriorbeer halltablesarcheswaitress
experienced study

Recreating this painting will help students develop skills in rendering figures in a complex environment and understanding atmospheric perspective to create depth. It also provides practice in capturing subtle light and shadow variations.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of figures and architectural elements.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Block in the main colors of the background, paying attention to the muted tones and atmospheric perspective.

  4. step 04

    Begin to develop the figures, starting with the larger shapes and gradually adding details.

  5. step 05

    Focus on the light source and how it affects the values and colors of the objects and figures.

  6. step 06

    Add details to the faces and clothing, using small brushstrokes and subtle color variations.

  7. step 07

    Refine the edges and add highlights to create a sense of depth and realism.

  8. step 08

    Add final details and glazes to unify the painting and enhance the colors.

color palette

primary · burnt umber · raw sienna · titanium white · ivory black

secondary · cadmium yellow · alizarin crimson · ultramarine blue

Achieve the muted tones by mixing earth tones with white and small amounts of other colors. Use glazes of transparent colors to add depth and richness.

techniques

  • ·underpainting
  • ·glazing
  • ·atmospheric perspective
  • ·figure drawing
  • ·value studies

common pitfalls

  • →Getting lost in the details too early.
  • →Failing to establish a strong value structure.
  • →Using colors that are too bright or saturated.
  • →Ignoring the effects of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grit canvas for better texture. Consider using a toned canvas to speed up the underpainting process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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