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home·artworks·In the Banner Valley
In the Banner Valley by Charles Reiffel

plate no. 6891

In the Banner Valley

Charles Reiffel

oilImpressionismlandscapemountainslandscapevegetationskyhillsdesert
some experience helpful

This painting offers practice in layering colors to create depth and texture, as well as simplifying complex natural forms into expressive brushstrokes. Students will learn to capture the essence of a landscape using a limited palette and focusing on light and shadow.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the mountains and foreground, establishing the horizon line.

  2. step 02

    Block in the sky with a light wash of color, blending it softly.

  3. step 03

    Establish the dark masses of the mountains, paying attention to their form and shadows.

  4. step 04

    Begin layering colors in the foreground, using broken brushstrokes to suggest vegetation and texture.

  5. step 05

    Add highlights to the foreground vegetation to create depth and dimension.

  6. step 06

    Refine the details of the mountains, adding subtle color variations and shadows.

  7. step 07

    Adjust the overall values and colors to create a sense of harmony and balance.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · ultramarine blue · yellow ochre · burnt umber · titanium white

secondary · sap green · cadmium yellow

Mix greens by blending yellow ochre and ultramarine blue. Create muted tones by adding burnt umber to other colors. Use white to lighten values and create highlights.

techniques

  • ·broken color
  • ·dry brushing
  • ·layering
  • ·scumbling
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details, losing the freshness and spontaneity of the brushstrokes.
  • →Creating muddy colors by overmixing.
  • →Ignoring the importance of value contrast in creating depth.
  • →Failing to establish a clear focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 or similar)
  • ·oil paints (ultramarine blue, yellow ochre, burnt umber, titanium white, sap green)
  • ·assorted brushes (flat and round)
  • ·palette
  • ·palette knife
  • ·linseed oil or other painting medium
  • ·odorless mineral spirits
  • ·rags

optional

  • ·retouch varnish
  • ·easel
  • ·color chart

Use a medium-grit canvas for better texture. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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