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home·artworks·In Peril (The Harbour Flare)
In Peril (The Harbour Flare) by John Atkinson Grimshaw

plate no. 7911

In Peril (The Harbour Flare)

John Atkinson Grimshaw, 1879

oil, canvasRomanticismcityscapecityscapenightfirefiguresmoonwater
experienced study

Recreating this painting will help students develop skills in atmospheric perspective, rendering light and shadow in a nocturnal scene, and creating the illusion of wet surfaces reflecting light.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
5
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the horizon line, the building, the fire, and the figures.

  2. step 02

    Establish the overall value structure with a thin wash of dark green and brown tones.

  3. step 03

    Block in the main shapes of the sky, land, and water, paying attention to the subtle gradations of color.

  4. step 04

    Add the highlights and shadows to the building and figures, using a limited palette of warm and cool tones.

  5. step 05

    Paint the fire, using bright oranges, yellows, and reds to create a sense of warmth and intensity.

  6. step 06

    Refine the details of the water and reflections, using thin glazes of color to create a sense of depth and atmosphere.

  7. step 07

    Add the moon and its reflection, using a soft, diffused light to create a sense of mystery.

  8. step 08

    Finish by adding any final details, such as the rigging on the boats and the texture of the stone.

color palette

primary · viridian green · ivory black · yellow ochre

secondary · cadmium orange · burnt umber · titanium white

Mix greens by combining viridian green with yellow ochre and ivory black. Create the fire colors by mixing cadmium orange with yellow ochre and titanium white. Achieve the atmospheric effects by layering thin glazes of color.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·rendering reflections
  • ·chiaroscuro

common pitfalls

  • →Overworking the details and losing the overall sense of atmosphere.
  • →Using colors that are too bright or saturated, which can detract from the nocturnal mood.
  • →Failing to create a strong sense of depth and perspective.
  • →Not capturing the subtle nuances of light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (viridian green, ivory black, yellow ochre, cadmium orange, burnt umber, titanium white)
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry completely before applying the next.

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