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home·artworks·In Love
In Love by Marcus Stone

plate no. 2661

In Love

Marcus Stone, 1888

oilRomanticismgenre paintingfiguresgardentreestatuetablebench
some experience helpful

Recreating this painting will help students develop skills in rendering figures in a landscape setting and understanding atmospheric perspective to create depth. It also provides practice in capturing the subtle nuances of light and shadow on various textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures, tree, and statue.

  2. step 02

    Establish the main areas of light and shadow with a thin wash of color.

  3. step 03

    Begin blocking in the larger shapes of the figures, paying attention to proportions and gesture.

  4. step 04

    Develop the background elements, such as the trees and foliage, using layers of color to create depth.

  5. step 05

    Refine the details of the figures, including facial features, clothing, and hands.

  6. step 06

    Add highlights and shadows to create form and dimension.

  7. step 07

    Pay attention to the details of the objects on the table and bench.

  8. step 08

    Add final touches and glazes to unify the painting and enhance the colors.

color palette

primary · olive green · burnt umber · ivory black · titanium white

secondary · cadmium yellow · alizarin crimson · ultramarine blue

Achieve the greens by mixing blues and yellows with touches of brown and black. Use white to create lighter values and subtle variations in the figures' clothing and skin tones.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·figure drawing
  • ·blending
  • ·layering

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Ignoring the importance of atmospheric perspective.
  • →Getting bogged down in the details of the foliage.

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Oil paints (olive green, burnt umber, ivory black, titanium white, cadmium yellow, alizarin crimson, ultramarine blue)
  • ·Assorted brushes (round, flat, filbert)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits
  • ·Linseed oil
  • ·Rags

optional

  • ·Retouch varnish
  • ·Medium gloss
  • ·Easel

Use high-quality oil paints for best results. Consider using a medium to thin the paints and improve flow.

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