apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·In idyllischer Sommertag am Teich
In idyllischer Sommertag am Teich by Fritz Ebel

plate no. 7187

In idyllischer Sommertag am Teich

Fritz Ebel, 1886

canvas, oilRomanticismlandscapetreeslandscapecowsfieldskyfigures
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective, color mixing for natural light, and rendering foliage with varied textures. It also provides practice in depicting figures and animals within a landscape setting.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees, horizon line, and major elements.

  2. step 02

    Establish the sky with a light wash of blues and creams, blending for soft clouds.

  3. step 03

    Block in the distant trees and fields with muted greens and browns, using atmospheric perspective to create depth.

  4. step 04

    Paint the foreground trees, adding details to the trunks and branches.

  5. step 05

    Layer in the foliage, using a variety of greens and yellows to create texture and depth.

  6. step 06

    Add the cows and figures, paying attention to their proportions and placement within the scene.

  7. step 07

    Refine the details, such as the highlights on the leaves and the textures of the grass.

  8. step 08

    Add final touches and glazes to unify the painting and enhance the colors.

color palette

primary · sap green · raw umber · titanium white · yellow ochre

secondary · cerulean blue · burnt sienna · cadmium yellow light

Mix greens by combining blues and yellows with varying amounts of white and brown. Achieve atmospheric perspective by adding white and blue to distant colors.

techniques

  • ·atmospheric perspective
  • ·layering
  • ·dry brushing
  • ·color mixing
  • ·scumbling

common pitfalls

  • →Overworking the details in the distant areas.
  • →Making the greens too uniform and bright.
  • →Ignoring the subtle color variations in the sky.
  • →Incorrectly proportioning the figures and animals.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·turpentine or odorless mineral spirits
  • ·linseed oil
  • ·#2 round brush
  • ·#6 flat brush
  • ·#10 filbert brush
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·easel
  • ·rags

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke