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home·artworks·In Dreams
In Dreams by Edward Robert Hughes

plate no. 1213

In Dreams

Edward Robert Hughes, 1900

oilRomanticismportraitfigureportraitdresschairflowerswindow
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing subtle skin tones and soft lighting. It also provides practice in rendering fabric and creating a sense of atmosphere.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the figure, chair, and window.

  2. step 02

    Establish the overall composition and proportions.

  3. step 03

    Block in the main color areas with thin washes, focusing on the light and shadow patterns.

  4. step 04

    Begin building up the skin tones with subtle layers of color, paying attention to the highlights and shadows on the face.

  5. step 05

    Develop the details of the dress, capturing the folds and textures with soft brushstrokes.

  6. step 06

    Paint the background elements, such as the window and flowers, using a muted color palette.

  7. step 07

    Refine the details of the chair and the book, adding depth and dimension.

  8. step 08

    Add final highlights and shadows to enhance the overall sense of realism and atmosphere.

color palette

primary · titanium white · raw umber · burnt sienna

secondary · yellow ochre · alizarin crimson · ultramarine blue

Achieve skin tones by mixing white, raw umber, and a touch of alizarin crimson. Use yellow ochre and white for the dress, and create muted greens by mixing blue and yellow.

techniques

  • ·glazing
  • ·soft blending
  • ·scumbling
  • ·layering
  • ·color mixing

common pitfalls

  • →Overworking the skin tones and creating a muddy effect.
  • →Failing to capture the subtle variations in light and shadow.
  • →Ignoring the importance of accurate proportions.
  • →Using colors that are too saturated or bright.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·yellow ochre oil paint
  • ·alizarin crimson oil paint
  • ·ultramarine blue oil paint
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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