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home·artworks·Immigration of the Jews
Immigration of the Jews by Jan Matejko

plate no. 1573

Immigration of the Jews

Jan Matejko

oilRomanticismhistory paintingfiguresbuildingcrowdhistorical eventarchitecturecityscape
advanced study

Recreating this painting will help students develop skills in depicting complex scenes with many figures and architectural details, as well as mastering the use of chiaroscuro to create depth and drama.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
1

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Create a rough sketch of the overall composition, focusing on the placement of the main figures and architectural elements.

  2. step 02

    Establish the basic value structure by blocking in the main areas of light and shadow with thin washes of color.

  3. step 03

    Begin to refine the architectural details, paying attention to the perspective and proportions of the building.

  4. step 04

    Start adding details to the figures, focusing on their poses, gestures, and facial expressions.

  5. step 05

    Develop the color palette by mixing and applying a range of warm and cool tones to create depth and atmosphere.

  6. step 06

    Refine the details of the clothing and accessories, using small brushes to add texture and detail.

  7. step 07

    Add highlights and shadows to create a sense of volume and form.

  8. step 08

    Make final adjustments to the composition, color, and details to create a cohesive and compelling image.

color palette

primary · burnt umber · raw sienna · ivory black

secondary · cadmium red · ultramarine blue · yellow ochre

Use burnt umber and ivory black to create a range of neutral tones for the architecture and figures. Mix cadmium red and yellow ochre to create warm highlights, and ultramarine blue and burnt umber to create cool shadows.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·chiaroscuro

common pitfalls

  • →Getting lost in the details too early
  • →Failing to establish a strong value structure
  • →Overworking the colors and losing the freshness of the initial washes
  • →Ignoring the perspective and proportions of the architecture

materials

surface · stretched canvas

required

  • ·stretched canvas 24x36
  • ·oil paints (burnt umber, raw sienna, ivory black, cadmium red, ultramarine blue, yellow ochre)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the value structure.

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