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home·artworks·Illustration for "The tale of three royal divah and the Ivashko priest's son"
Illustration for "The tale of three royal divah and the Ivashko priest's son" by Ivan Bilibin

plate no. 5091

Illustration for "The tale of three royal divah and the Ivashko priest's son"

Ivan Bilibin, 1911

oilArt Nouveau (Modern)illustrationfiguresinteriorfolkloreBaba Yagaillustration
some experience helpful

This painting provides a good opportunity to practice figure drawing and rendering textures with a limited color palette. Students can learn to create depth and interest through subtle variations in tone and line work.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figures and the room's layout.

  2. step 02

    Outline the key details of the figures, including the clothing, facial features, and Baba Yaga's skeletal form.

  3. step 03

    Apply a base layer of color to the background and figures, focusing on the overall tones.

  4. step 04

    Add shading and highlights to create depth and form, paying attention to the light source.

  5. step 05

    Develop the textures of the clothing, walls, and floorboards using fine lines and small brushstrokes.

  6. step 06

    Refine the details of the faces and hands, adding subtle expressions and gestures.

  7. step 07

    Add the decorative patterns on the clothing and furniture.

  8. step 08

    Finalize the linework and add any remaining details.

color palette

primary · ivory · blue · brown

secondary · red · green

Mix ivory with small amounts of brown and blue to create the various skin tones and shadows. Use a muted red for the accents on the clothing.

techniques

  • ·hatching
  • ·cross-hatching
  • ·dry brushing
  • ·layering
  • ·limited palette

common pitfalls

  • →Overcomplicating the color palette.
  • →Losing the proportions of the figures.
  • →Ignoring the light source and creating flat, uninteresting forms.
  • →Getting lost in the details before establishing the overall composition.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·graphite pencils
  • ·ivory paint
  • ·blue paint
  • ·brown paint
  • ·red paint
  • ·small round brushes
  • ·medium flat brush

optional

  • ·palette knife
  • ·retarder medium
  • ·linseed oil

Use high-quality paints to achieve the best color saturation and longevity. A smooth canvas surface will be easier to work with for the detailed linework.

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