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home·artworks·Il piccolo pittore
Il piccolo pittore by Vincenzo Irolli

plate no. 9711

Il piccolo pittore

Vincenzo Irolli

oil, canvasImpressionismgenre paintingfigureinteriormirrorpaintingartistchair
some experience helpful

Recreating this painting will help students develop skills in capturing light and shadow with visible brushstrokes and mixing realistic skin tones. It also encourages observation of reflections and depicting depth in an interior scene.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, mirror, and easel.

  2. step 02

    Establish the main light source and map out the areas of light and shadow with thin washes of burnt umber.

  3. step 03

    Block in the large shapes of color, starting with the darkest areas and working towards the lighter ones.

  4. step 04

    Begin to refine the details of the figure, paying attention to the subtle shifts in color and value.

  5. step 05

    Work on the reflection in the mirror, simplifying the details and softening the edges.

  6. step 06

    Add texture and interest with visible brushstrokes, varying the direction and pressure of your brush.

  7. step 07

    Refine the highlights and shadows to create a sense of depth and dimension.

  8. step 08

    Add final details and adjust the overall composition as needed.

color palette

primary · burnt umber · titanium white · yellow ochre

secondary · cadmium red · viridian green · ultramarine blue

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Use burnt umber and white for shadows. Mix greens by combining yellow ochre and viridian green.

techniques

  • ·broken color
  • ·scumbling
  • ·alla prima
  • ·impasto
  • ·chiaroscuro

common pitfalls

  • →Overworking the details and losing the freshness of the brushstrokes.
  • →Failing to establish a strong value structure.
  • →Ignoring the subtle shifts in color and value.
  • →Making the reflection too detailed and distracting.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints (burnt umber, titanium white, yellow ochre, cadmium red, viridian green, ultramarine blue)
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·painting easel
  • ·mahl stick

Use a medium-tooth canvas to allow for visible brushstrokes. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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