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home·artworks·Ideal Portrait of Lady Macbeth
Ideal Portrait of Lady Macbeth by Thomas Francis Dicksee

plate no. 0041

Ideal Portrait of Lady Macbeth

Thomas Francis Dicksee, 1870

canvas, oilRomanticismportraitfigureportraitdressveiljewelryhistorical
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones and fabric folds. It also provides practice in creating subtle value gradations and depicting textures.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the proportions and composition.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Develop the background, gradually building up layers of color and texture.

  4. step 04

    Focus on the face, paying close attention to the light and shadow patterns to create a realistic likeness.

  5. step 05

    Render the drapery, using soft blending techniques to create the folds and highlights.

  6. step 06

    Add details to the jewelry and other accessories.

  7. step 07

    Refine the overall painting, adjusting values and colors as needed.

  8. step 08

    Add final details and highlights to create a sense of depth and realism.

color palette

primary · ivory black · raw umber · titanium white · yellow ochre

secondary · burnt sienna · ultramarine blue · gold

Achieve the skin tones by mixing titanium white, yellow ochre, and a touch of burnt sienna. Use ivory black and raw umber to create the dark background and shadows. Mix ultramarine blue and burnt sienna to create the muted blues in the dress pattern.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·value studies
  • ·drapery rendering

common pitfalls

  • →Overblending, resulting in a flat, lifeless appearance.
  • →Incorrect proportions in the initial sketch.
  • →Getting the skin tones wrong.
  • →Ignoring the subtle value changes in the drapery.
  • →Overworking the details before establishing the overall composition.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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