
plate no. 7208
Richard Gerstl, 1906
Recreating this painting will help students develop skills in watercolor washes, layering, and capturing delicate details in portraiture. It also provides practice in creating soft, diffused lighting effects.
technical profile
approach — 8 steps
Lightly sketch the outline of the portrait, including the hat, face, and shoulders.
Apply a light wash of diluted yellow ochre or raw sienna to the background.
Begin layering washes for the skin tones, starting with very pale pinks and yellows.
Add shadows to the face and neck using diluted browns and purples.
Paint the hat with a mix of purple and blue, using varying dilutions for highlights and shadows.
Create the dress with light washes of blue and gray, focusing on the folds and drapery.
Add the rose with reds and greens, paying attention to the details of the petals and leaves.
Refine the details of the face, hair, and clothing with small brushes and concentrated colors.
color palette
primary · titanium white · yellow ochre · alizarin crimson · ultramarine blue
secondary · burnt umber · raw sienna · violet
Skin tones are achieved by mixing white, yellow ochre, and a touch of alizarin crimson. Shadows are created by adding burnt umber and violet to these mixtures. The hat color is achieved by mixing ultramarine blue and alizarin crimson, adjusting the ratio for different shades.
techniques
common pitfalls
surface · watercolor paper 140lb
required
optional
Use high-quality watercolor paper to prevent buckling and ensure good color absorption. Experiment with different brush sizes to achieve varying levels of detail.
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