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home·artworks·Icebergs and Wreck in Sunset
Icebergs and Wreck in Sunset by Frederic Edwin Church

plate no. 9966

Icebergs and Wreck in Sunset

Frederic Edwin Church, 1860

oilRomanticismlandscapeicebergsshipwrecksunsetskywaterice
some experience helpful

Recreating this painting will help students understand atmospheric perspective and how to depict light reflecting off different surfaces. It will also provide practice in creating a sense of depth and distance through color and value changes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the icebergs and the shipwreck, paying attention to their relative sizes and positions.

  2. step 02

    Establish the horizon line and the overall composition.

  3. step 03

    Block in the sky with a gradient of pink and orange hues, blending smoothly.

  4. step 04

    Begin painting the icebergs, starting with the darkest shadows and gradually adding lighter tones to create form.

  5. step 05

    Mix colors for the ice, using blues, grays, and whites to capture the cool tones and reflections.

  6. step 06

    Paint the shipwreck, paying attention to the details of the broken mast and hull.

  7. step 07

    Add the reflections of the icebergs and shipwreck in the water, using broken brushstrokes to create texture.

  8. step 08

    Refine the details and adjust the values to create a sense of depth and atmosphere.

color palette

primary · titanium white · alizarin crimson · ultramarine blue

secondary · yellow ochre · burnt umber

Mix pinks and oranges for the sky by blending white, crimson, and a touch of yellow ochre. Create cool grays and blues for the ice by mixing white, blue, and umber.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective
  • ·color mixing

common pitfalls

  • →Overworking the details and losing the overall sense of atmosphere.
  • →Using colors that are too saturated and not capturing the subtle nuances of light and shadow.
  • →Failing to create a strong sense of depth and distance.
  • →Not paying attention to the reflections in the water.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·alizarin crimson oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·linseed oil
  • ·#4 round brush

optional

  • ·palette knife
  • ·retouch varnish
  • ·odorless mineral spirits

Use high-quality oil paints for best results. A medium-sized canvas (16x20 inches) is recommended for beginners.

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oil painting for beginners →how to learn by studying the masters →
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