
plate no. 5044
William Bradford, 1869
Recreating this painting will help students develop skills in atmospheric perspective and subtle value transitions to create a sense of depth and realism. It also provides practice in rendering the texture of ice and water.
technical profile
approach — 8 steps
Sketch the basic shapes of the iceberg and horizon line, paying attention to proportions.
Establish the overall value structure with a thin wash of color, focusing on the light and shadow areas.
Begin layering in the dark bands of the iceberg, carefully observing the subtle variations in tone.
Build up the highlights on the iceberg, using lighter values and cooler tones.
Paint the sky with soft, blended colors, creating a sense of atmospheric perspective.
Add the reflections in the water, using slightly darker and desaturated versions of the iceberg and sky colors.
Refine the details of the iceberg, such as the texture of the ice and the edges of the dark bands.
Add final highlights and shadows to create a sense of depth and realism.
color palette
primary · ultramarine blue · titanium white · raw umber
secondary · yellow ochre · burnt sienna
Mix ultramarine blue and raw umber for the dark areas of the iceberg and water. Use titanium white to lighten the colors and create highlights. Add yellow ochre and burnt sienna for subtle warmth in the sky and iceberg.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a high-quality canvas and oil paints for best results. Thin the oil paints with linseed oil to create glazes.
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