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home·artworks·I Drew A Picture in the Sand and the Water Washed It Away
I Drew A Picture in the Sand and the Water Washed It Away by Ivan Albright

plate no. 6444

I Drew A Picture in the Sand and the Water Washed It Away

Ivan Albright, 1927

oilMagic Realismportraitportraitfiguremanclothinghathands
experienced study

Recreating this painting will help students develop skills in portraiture, particularly in rendering realistic skin tones and capturing the nuances of light and shadow on the face and clothing. It also provides practice in creating depth and texture through layering and blending.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure and hat.

  2. step 02

    Establish the background with broad, blended strokes of muted colors.

  3. step 03

    Block in the main shapes of the face and clothing with mid-tone values.

  4. step 04

    Begin layering darker values to define shadows and contours, paying close attention to the facial features.

  5. step 05

    Add highlights to the face, hands, and clothing to create a sense of depth and form.

  6. step 06

    Refine the details of the face, including the eyes, nose, and mouth, using smaller brushes.

  7. step 07

    Develop the texture of the clothing and hat with visible brushstrokes and subtle color variations.

  8. step 08

    Make final adjustments to the values and colors to achieve a cohesive and realistic representation.

color palette

primary · raw umber · titanium white · ivory black

secondary · yellow ochre · burnt sienna · ultramarine blue

Achieve skin tones by mixing raw umber, white, and small amounts of yellow ochre and burnt sienna. Use ultramarine blue to cool down the whites and create shadows.

techniques

  • ·layering
  • ·blending
  • ·scumbling
  • ·dry brushing
  • ·glazing

common pitfalls

  • →Overblending, which can result in a flat and lifeless appearance.
  • →Ignoring the subtle color variations in the skin tones.
  • →Failing to create a strong sense of depth and form.
  • →Getting lost in details too early in the process.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·painting medium

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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oil painting for beginners →how to learn by studying the masters →
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