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home·artworks·Hunding discovers the likeness between Siegmund and Sieglinde
Hunding discovers the likeness between Siegmund and Sieglinde by Arthur Rackham

plate no. 4255

Hunding discovers the likeness between Siegmund and Sieglinde

Arthur Rackham

oilArt Nouveau (Modern)illustrationfiguresinteriortablewoodclothingfood
some experience helpful

Recreating this painting will help students develop skills in rendering textures like wood and fabric, and in creating depth through layering and subtle value changes. It also provides practice in depicting figures in a realistic, yet stylized manner.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the main figures, table, and background elements.

  2. step 02

    Establish the overall value structure by blocking in the darkest and lightest areas.

  3. step 03

    Begin layering in the base colors for the wood, clothing, and skin tones.

  4. step 04

    Add details to the faces, paying attention to the light and shadow.

  5. step 05

    Develop the textures of the wood grain and fabric folds using fine brushstrokes.

  6. step 06

    Refine the details of the objects on the table, such as the pitcher and apples.

  7. step 07

    Add the fine line work to define the shapes and add detail.

  8. step 08

    Adjust the values and colors to create a sense of depth and atmosphere.

color palette

primary · burnt umber · raw sienna · ivory black

secondary · cadmium red · yellow ochre · titanium white

Mix burnt umber and ivory black for the darkest shadows. Use raw sienna and yellow ochre for the wood tones, adding white to lighten. Mix cadmium red with burnt umber for the clothing.

techniques

  • ·cross-hatching
  • ·layering
  • ·dry brushing
  • ·glazing
  • ·fine line work

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a clear value structure.
  • →Using colors that are too saturated.
  • →Losing the overall sense of depth and atmosphere.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·small round brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine

Use high-quality oil paints for best results. A smooth canvas surface will be easier to work with for the fine details.

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oil painting for beginners →how to learn by studying the masters →
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