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home·artworks·How Strange a Thing to Be What Man Can Know, but as a Sacred Secret!
How Strange a Thing to Be What Man Can Know, but as a Sacred Secret! by Byam Shaw

plate no. 9444

How Strange a Thing to Be What Man Can Know, but as a Sacred Secret!

Byam Shaw

oilRomanticismgenre paintingfiguretreeswaterreflectionfoliagelandscape
experienced study

Recreating this painting will help students develop skills in rendering complex foliage and reflections, as well as capturing the subtle nuances of light and shadow on the figure.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, trees, and water.

  2. step 02

    Establish the overall color scheme by laying in broad washes of color for the sky, water, and foliage.

  3. step 03

    Begin to define the shapes of the trees and leaves, paying attention to the patterns of light and shadow.

  4. step 04

    Work on the figure, starting with the basic shapes and gradually adding details.

  5. step 05

    Create the reflections in the water, mirroring the colors and shapes of the trees and sky.

  6. step 06

    Add details to the foreground foliage and grasses.

  7. step 07

    Refine the details of the figure, including the face, hands, and clothing.

  8. step 08

    Make final adjustments to the colors, values, and details to create a cohesive and harmonious painting.

color palette

primary · sap green · yellow ochre · burnt umber · titanium white

secondary · cerulean blue · alizarin crimson · raw sienna

Achieve the various greens by mixing sap green with yellow ochre and titanium white. Use burnt umber and raw sienna to create the darker tones in the trees and foliage. Mix alizarin crimson and titanium white for the skin tones.

techniques

  • ·glazing
  • ·scumbling
  • ·wet-on-dry blending
  • ·broken color
  • ·layering

common pitfalls

  • →Overworking the details in the foliage.
  • →Failing to capture the subtle nuances of light and shadow.
  • →Creating muddy or dull colors.
  • →Incorrect proportions of the figure.
  • →Inaccurate reflections in the water.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#2 round brush
  • ·#6 filbert brush
  • ·#8 flat brush
  • ·palette
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·palette knife
  • ·painting medium
  • ·retouch varnish

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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