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home·artworks·Houses on the banks of the Loing
Houses on the banks of the Loing by Alfred Sisley

plate no. 8988

Houses on the banks of the Loing

Alfred Sisley, 1889

oil, canvasImpressionismlandscapetreeswaterbuildingskyfigureslandscape
some experience helpful

Recreating this painting will help students develop skills in impressionistic brushwork and color mixing to capture light and atmosphere. It will also teach them how to simplify complex scenes into basic shapes and colors.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition: horizon line, building, trees, and water.

  2. step 02

    Block in the sky with light blue and white, using loose brushstrokes.

  3. step 03

    Establish the main colors of the building: a mix of yellow, white, and a touch of red.

  4. step 04

    Paint the trees using various shades of green, yellow, and blue, applying short, broken brushstrokes.

  5. step 05

    Create the water with horizontal strokes of blue, green, yellow, and white, reflecting the colors of the sky and surrounding landscape.

  6. step 06

    Add details to the building, such as windows and roof tiles, using small brushstrokes.

  7. step 07

    Paint the figures and other small details with minimal detail.

  8. step 08

    Refine the colors and values throughout the painting, paying attention to the overall harmony and balance.

color palette

primary · yellow ochre · cerulean blue · titanium white · sap green

secondary · burnt sienna · ultramarine blue · cadmium yellow light

Mix greens by combining blues and yellows, and use white to create lighter tints. Achieve the building's color by mixing yellow ochre, white, and a touch of burnt sienna.

techniques

  • ·broken brushstrokes
  • ·wet-on-wet blending
  • ·color mixing
  • ·scumbling
  • ·impasto

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Using too much detail in the reflections.
  • →Creating muddy colors by over-mixing.
  • →Not capturing the light and atmosphere effectively.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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