
plate no. 1637
Gregoire Boonzaier, 1940
This painting is a good exercise in simplifying complex scenes into basic shapes and practicing color mixing to achieve realistic hues. Students will also learn to create depth through layering and atmospheric perspective.
technical profile
approach — 8 steps
Sketch the basic shapes of the buildings and hillside, focusing on proportions and placement.
Block in the sky with a thin layer of light blue, leaving some areas for clouds.
Establish the main color masses for the buildings, using a mix of white, gray, and earth tones.
Add the green areas of the hillside, varying the shades and tones to create depth.
Paint the roofs with reds, oranges, and browns, adding highlights and shadows.
Define the details of the buildings, such as windows and doors, with darker colors.
Add the foreground details, such as the path and vegetation, using loose brushstrokes.
Refine the painting by adjusting colors, values, and edges to create a cohesive and harmonious image.
color palette
primary · titanium white · cerulean blue · yellow ochre · burnt umber
secondary · cadmium red · viridian green · ultramarine blue
Mix white with small amounts of blue and yellow ochre to create the sky. Use burnt umber and white for the buildings, adding touches of yellow ochre and blue for variation. Mix greens with blue and yellow ochre, adding red for shadows.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.
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