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home·artworks·Houses on a hillside, Bo-Kaap
Houses on a hillside, Bo-Kaap by Gregoire Boonzaier

plate no. 1637

Houses on a hillside, Bo-Kaap

Gregoire Boonzaier, 1940

oilImpressionismlandscapebuildingslandscapehouseshillsideskyvegetation
some experience helpful

This painting is a good exercise in simplifying complex scenes into basic shapes and practicing color mixing to achieve realistic hues. Students will also learn to create depth through layering and atmospheric perspective.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the buildings and hillside, focusing on proportions and placement.

  2. step 02

    Block in the sky with a thin layer of light blue, leaving some areas for clouds.

  3. step 03

    Establish the main color masses for the buildings, using a mix of white, gray, and earth tones.

  4. step 04

    Add the green areas of the hillside, varying the shades and tones to create depth.

  5. step 05

    Paint the roofs with reds, oranges, and browns, adding highlights and shadows.

  6. step 06

    Define the details of the buildings, such as windows and doors, with darker colors.

  7. step 07

    Add the foreground details, such as the path and vegetation, using loose brushstrokes.

  8. step 08

    Refine the painting by adjusting colors, values, and edges to create a cohesive and harmonious image.

color palette

primary · titanium white · cerulean blue · yellow ochre · burnt umber

secondary · cadmium red · viridian green · ultramarine blue

Mix white with small amounts of blue and yellow ochre to create the sky. Use burnt umber and white for the buildings, adding touches of yellow ochre and blue for variation. Mix greens with blue and yellow ochre, adding red for shadows.

techniques

  • ·broken color
  • ·layering
  • ·scumbling
  • ·color mixing
  • ·alla prima

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Using too much detail and not simplifying the forms.
  • →Failing to create depth and atmosphere.
  • →Not varying the colors and tones enough.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·titanium white oil paint
  • ·cerulean blue oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·cadmium red oil paint
  • ·round brushes #4 and #6
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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