apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Houses in Provence
Houses in Provence by Adam Baltatu

plate no. 9730

Houses in Provence

Adam Baltatu

oilImpressionismlandscapetreesbuildinglandscapeskyfoliagepath
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as simplifying complex forms into basic shapes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the trees, building, and path, focusing on proportions and placement.

  2. step 02

    Block in the large areas of color for the sky, ground, and foliage using thin washes.

  3. step 03

    Establish the darkest values in the shadows of the trees and building.

  4. step 04

    Begin layering colors in the trees, using short, broken brushstrokes to create texture.

  5. step 05

    Add details to the building, focusing on the color variations in the walls and roof.

  6. step 06

    Refine the path and foreground, adding highlights and shadows to create depth.

  7. step 07

    Adjust the overall color balance and value contrast to match the original painting.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · yellow ochre · raw umber · sap green · titanium white

secondary · burnt sienna · ultramarine blue · cadmium yellow

Mix greens by combining yellow ochre, sap green, and ultramarine blue. Achieve earth tones by blending raw umber, burnt sienna, and yellow ochre. Use white to lighten values and create atmospheric perspective.

techniques

  • ·broken color
  • ·dry brushing
  • ·layering
  • ·scumbling
  • ·alla prima

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Using colors straight from the tube without mixing.
  • →Neglecting the importance of value contrast.
  • →Failing to simplify complex forms.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·mineral spirits

optional

  • ·painting medium
  • ·easel
  • ·rags
  • ·varnish

Use a medium-grit canvas to allow for good paint adhesion and texture. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann