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home·artworks·Houses by the River (The Old City)
Houses by the River (The Old City) by Egon Schiele

plate no. 3594

Houses by the River (The Old City)

Egon Schiele, 1914

oil, canvasArt Nouveau (Modern)cityscapebuildingscityscaperiverhousesskylandscape
some experience helpful

This painting provides an opportunity to practice simplifying complex forms into geometric shapes and using a limited color palette to create a cohesive scene. Students can also learn to create texture with visible brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the buildings and the river, focusing on proportions and placement.

  2. step 02

    Block in the large areas of color for the sky, river, and buildings using thin washes.

  3. step 03

    Add darker values to define the shadows and create depth in the buildings and river.

  4. step 04

    Mix the various shades of browns, grays, and yellows for the buildings, paying attention to subtle color variations.

  5. step 05

    Use thicker paint and visible brushstrokes to add texture to the buildings and riverbank.

  6. step 06

    Add details such as windows, roofs, and reflections in the water.

  7. step 07

    Refine the edges of the shapes and adjust the values as needed.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · raw umber · yellow ochre · titanium white

secondary · burnt sienna · payne's gray · cadmium yellow

Mix raw umber and yellow ochre for the dominant browns. Use white to lighten values and payne's gray to darken them. Add small amounts of burnt sienna for warmth and cadmium yellow for highlights.

techniques

  • ·blocking in
  • ·dry brushing
  • ·scumbling
  • ·color mixing
  • ·simplifying shapes

common pitfalls

  • →Overworking the details and losing the simplicity of the original.
  • →Using too many colors and creating a muddy effect.
  • →Failing to establish a strong value structure.
  • →Ignoring the texture created by the brushstrokes.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·payne's gray oil paint
  • ·round brushes (various sizes)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-textured canvas to enhance the brushstroke texture. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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