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home·artworks·Houses at Vaugirard
Houses at Vaugirard by Paul Gauguin

plate no. 9773

Houses at Vaugirard

Paul Gauguin, 1880

oil, canvasImpressionismlandscapehouseslandscapevillagebuildingstreesvegetation
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as understanding atmospheric perspective. It also provides practice in capturing the essence of a scene with loose, expressive brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the houses and landscape, focusing on proportions and placement.

  2. step 02

    Block in the main color areas with thin washes, starting with the sky and distant elements.

  3. step 03

    Gradually build up layers of color, adding details and texture to the houses, roofs, and vegetation.

  4. step 04

    Use short, broken brushstrokes to create the impression of grass and foliage.

  5. step 05

    Pay attention to the light and shadow, adding highlights and dark accents to define forms.

  6. step 06

    Mix colors on the palette to match the subtle variations in the original painting.

  7. step 07

    Refine the details and adjust the values to create a sense of depth and atmosphere.

  8. step 08

    Add final touches and highlights to complete the painting.

color palette

primary · yellow ochre · burnt umber · raw sienna · titanium white

secondary · ultramarine blue · cadmium yellow · alizarin crimson

Achieve the earthy tones by mixing yellow ochre, burnt umber, and white. Use small amounts of blue and crimson to create grays and shadows.

techniques

  • ·broken color
  • ·scumbling
  • ·dry brushing
  • ·layering
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Using colors straight from the tube without mixing, resulting in a flat, uninteresting palette.
  • →Ignoring the subtle value changes and creating a painting that lacks depth.
  • →Not paying attention to the perspective and creating a distorted composition.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·oil paints (yellow ochre, burnt umber, raw sienna, titanium white, ultramarine blue, cadmium yellow, alizarin crimson)
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·painting medium (e.g., Liquin)
  • ·easel
  • ·varnish

Use a medium-grit canvas for best results. Consider using a toned canvas to help establish the overall color scheme.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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