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home·artworks·House with Drying Laundry
House with Drying Laundry by Egon Schiele

plate no. 3166

House with Drying Laundry

Egon Schiele, 1917

oil, canvasArt Nouveau (Modern)cityscapebuildingscityscapelaundrywindowsmountainssky
some experience helpful

Recreating this painting will help students develop skills in architectural rendering with simplified forms and expressive brushwork, as well as understanding color temperature and creating a sense of depth through layering.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings, mountains, and laundry lines, focusing on proportions and perspective.

  2. step 02

    Block in the main color areas for the sky, mountains, and buildings using thin washes.

  3. step 03

    Begin adding details to the buildings, such as windows, roof tiles, and architectural features, using thicker paint and visible brushstrokes.

  4. step 04

    Develop the color variations and textures within each area, paying attention to the interplay of warm and cool tones.

  5. step 05

    Paint the laundry hanging on the lines, using a variety of colors and shapes to create visual interest.

  6. step 06

    Add details to the foreground, such as the ground and any vegetation.

  7. step 07

    Refine the overall composition, adjusting colors and values as needed to create a cohesive and expressive image.

  8. step 08

    Add final details and highlights to enhance the sense of depth and realism.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · cadmium red · yellow ochre · ultramarine blue

Achieve the muted earth tones by mixing burnt umber and raw sienna with white. Use small amounts of red and blue to create subtle variations in the browns and grays.

techniques

  • ·dry brush texture
  • ·scumbling
  • ·broken color
  • ·layering
  • ·simplified forms

common pitfalls

  • →Overworking the details and losing the expressive quality of the brushstrokes.
  • →Creating muddy colors by overmixing.
  • →Ignoring the subtle color variations and temperature shifts within each area.
  • →Failing to establish a clear sense of depth and perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use a medium-textured canvas to enhance the visibility of the brushstrokes. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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