apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·House of the Singing Winds
House of the Singing Winds by T. C. Steele

plate no. 4112

House of the Singing Winds

T. C. Steele, 1922

oil, canvasImpressionismlandscapesnowtreeshouselandscapewintersky
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, and in capturing the subtle color variations in snow and shadows. It also provides practice in depicting bare trees and architectural forms with loose, expressive brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, including the horizon line, the house, and the placement of the trees.

  2. step 02

    Establish the sky with a thin wash of blue and white, blending the colors softly.

  3. step 03

    Block in the large shapes of the snow-covered ground, using a mix of white, blue, and violet.

  4. step 04

    Paint the house using a base of red, adding darker tones for shadows and lighter tones for highlights.

  5. step 05

    Add the trees, starting with the trunks and branches, and then adding the foliage with short, broken strokes.

  6. step 06

    Refine the details of the snow, paying attention to the shadows and highlights.

  7. step 07

    Add the final touches, such as the details of the house and the branches of the trees.

  8. step 08

    Let dry and add a varnish.

color palette

primary · titanium white · ultramarine blue · burnt sienna · alizarin crimson

secondary · yellow ochre · violet · raw umber

Mix white with blue and a touch of violet for the snow. Create the red of the house by mixing alizarin crimson and burnt sienna. Achieve the tree colors by mixing burnt sienna, raw umber, and touches of yellow ochre.

techniques

  • ·broken color
  • ·layering
  • ·scumbling
  • ·dry brush
  • ·color mixing

common pitfalls

  • →Overworking the snow, resulting in a flat, lifeless appearance.
  • →Using too much detail in the trees, making them look stiff and unnatural.
  • →Failing to capture the subtle color variations in the shadows.
  • →Not establishing a clear light source, resulting in a confusing composition.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·burnt sienna oil paint
  • ·alizarin crimson oil paint
  • ·#4 round brush
  • ·#8 flat brush
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann