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Hourtide by Edward Henry Potthast

plate no. 3527

Hourtide

Edward Henry Potthast

oilImpressionismgenre paintingbeachfiguresoceanskyumbrellasand
some experience helpful

Recreating this painting will help students practice capturing light and shadow on a sandy beach and learn to simplify figures in a landscape. It also provides practice in creating a sense of depth using color and brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the horizon line, the umbrella, and the main figures.

  2. step 02

    Establish the sky and ocean with broad strokes, blending colors to create a soft, atmospheric effect.

  3. step 03

    Block in the large areas of sand, paying attention to the subtle color variations caused by light and shadow.

  4. step 04

    Add the umbrella, using a mix of yellows and greens to capture the light filtering through the fabric.

  5. step 05

    Paint the figures, simplifying their forms and focusing on capturing their gestures and postures.

  6. step 06

    Add details to the figures, such as clothing and hair, using small, expressive brushstrokes.

  7. step 07

    Refine the highlights and shadows to create depth and dimension.

  8. step 08

    Add final touches, such as details in the sand and reflections in the water.

color palette

primary · titanium white · ultramarine blue · yellow ochre · raw umber

secondary · cadmium yellow · alizarin crimson · viridian

Mix various shades of blue and white for the sky and water. Use yellow ochre and raw umber with white to create the sandy beach. Mix greens from blue and yellow for the umbrella and figures.

techniques

  • ·broken color
  • ·scumbling
  • ·wet-on-wet blending
  • ·atmospheric perspective
  • ·alla prima

common pitfalls

  • →Overworking the details
  • →Creating muddy colors
  • →Incorrect proportions of the figures
  • →Ignoring the effects of light and shadow

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·#4 round brush
  • ·#8 flat brush
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·raw umber oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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