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home·artworks·Horse and Foal watering at a trough
Horse and Foal watering at a trough by John Frederick Herring Sr.

plate no. 4970

Horse and Foal watering at a trough

John Frederick Herring Sr.

oilRomanticismanimal paintinghorsefoalanimalswaterlandscapepoultry
some experience helpful

Recreating this painting will help students develop skills in blending colors to create realistic animal forms and understanding atmospheric perspective to depict depth in a landscape. It also provides practice in capturing the subtle variations in light and shadow on different textures.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition, focusing on the placement of the horses and other animals.

  2. step 02

    Establish the background with a thin wash of warm colors, creating the sky and distant trees.

  3. step 03

    Block in the main colors of the horses, starting with the darker tones and gradually adding highlights.

  4. step 04

    Define the shapes of the horses with more detail, paying attention to the musculature and anatomy.

  5. step 05

    Add the details of the water trough and surrounding landscape, including the poultry.

  6. step 06

    Refine the lighting and shadows, creating depth and dimension.

  7. step 07

    Add final details, such as the horses' manes and tails, and the texture of the grass.

  8. step 08

    Glaze with thin layers to unify the colors and create a sense of atmosphere.

color palette

primary · burnt umber · yellow ochre · titanium white

secondary · raw sienna · ivory black · cadmium yellow

Achieve the horse's coat color by mixing burnt umber with yellow ochre and a touch of black. Use white to create highlights and lighter tones. Mix raw sienna and cadmium yellow for the foal.

techniques

  • ·blending
  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·layering

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the importance of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a toned canvas to speed up the painting process.

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oil painting for beginners →how to learn by studying the masters →
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