apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Horned Forms
Horned Forms by Graham Sutherland

plate no. 1119

Horned Forms

Graham Sutherland, 1944

oilNeo-Romanticismlandscapelandscapeabstract formshornsskyground
some experience helpful

Recreating this painting will help students develop skills in abstracting forms from nature and using expressive brushwork to convey mood and texture. It also encourages experimentation with color mixing and layering to create depth and atmosphere.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to map out the basic shapes of the horned forms and the horizon line.

  2. step 02

    Block in the large areas of color: the red sky, yellow background, and red-brown ground.

  3. step 03

    Start building up the forms with darker tones, paying attention to the shadows and highlights.

  4. step 04

    Introduce the secondary colors and subtle variations within each area.

  5. step 05

    Add details to the horned forms, such as the lines and shapes that define their structure.

  6. step 06

    Create texture with visible brushstrokes, varying the direction and pressure.

  7. step 07

    Refine the edges and blend some areas to create a sense of depth.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · red · yellow · brown · white

secondary · black · purple · orange

Mix the red-brown ground color by combining red, brown, and a touch of black. Achieve the yellow background by mixing yellow with a touch of white and orange. Create the purple highlights on the horns by mixing red and blue.

techniques

  • ·dry brush
  • ·scumbling
  • ·color layering
  • ·expressive brushwork
  • ·abstracting forms

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Making the forms too literal and not embracing the abstract nature of the subject.
  • →Failing to create enough contrast between the light and dark areas.
  • →Not paying attention to the overall composition and balance of the painting.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·mineral spirits or turpentine (for cleaning brushes)

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grain canvas to allow for texture. Acrylics are faster drying, while oils allow for more blending time.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Dancer and the Canary

The Dancer and the Canary

Ethel Léontine Gabain

Lilac and Tulips

Lilac and Tulips

Ethel Léontine Gabain

Women Welders at Williams & Williams, Chester

Women Welders at Williams & Williams, Chester

Ethel Léontine Gabain

Landscape. Cookham Dene.

Landscape. Cookham Dene.

Stanley Spencer

HMS 'Revenge' Leaving Harbour

HMS 'Revenge' Leaving Harbour

Richard Eurich

Mrs Ramsey Hunt

Mrs Ramsey Hunt

Graham Sutherland

The Resurrection - Waking Up 2

The Resurrection - Waking Up 2

Stanley Spencer

Cecil Harmsworth King

Cecil Harmsworth King

Graham Sutherland