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home·artworks·Hon. Abraham Lincoln, Our Next President
Hon. Abraham Lincoln, Our Next President by Currier and Ives

plate no. 3012

Hon. Abraham Lincoln, Our Next President

Currier and Ives, 1860

oilRomanticismportraitportraitfiguremanclothingsuithistorical
some experience helpful

Recreating this portrait will help students develop skills in portraiture, including accurate proportions, capturing likeness, and rendering subtle tonal variations. It also provides practice in depicting clothing and drapery.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
4
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the overall composition, paying attention to proportions and placement of features.

  2. step 02

    Block in the main shapes of the face, hair, and clothing with light washes of color.

  3. step 03

    Begin building up the values in the face, focusing on the shadows and highlights to create form.

  4. step 04

    Refine the details of the eyes, nose, and mouth, paying close attention to the likeness.

  5. step 05

    Work on the hair, using short, broken strokes to create texture and volume.

  6. step 06

    Paint the clothing, focusing on the folds and shadows to create depth.

  7. step 07

    Add final details and highlights to the face and clothing.

  8. step 08

    Adjust values and colors as needed to create a cohesive and realistic portrait.

color palette

primary · ivory black · raw umber · burnt sienna · titanium white

secondary · ultramarine blue · cadmium red light

Mix different values of skin tones by combining burnt sienna, raw umber, and titanium white. Use ivory black and raw umber for the suit, adding small amounts of blue for cooler shadows.

techniques

  • ·portrait drawing
  • ·value studies
  • ·layering
  • ·blending
  • ·hatching

common pitfalls

  • →Inaccurate proportions leading to a poor likeness.
  • →Overworking the details too early in the process.
  • →Using too much black, resulting in a muddy or lifeless portrait.
  • →Ignoring the subtle tonal variations in the face.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·graphite pencils (HB, 2B)
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. A medium-grain canvas will provide a good surface for blending and layering.

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oil painting for beginners →how to learn by studying the masters →
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