apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Holy Family with St. Catherine
Holy Family with St. Catherine by Luca Signorelli

plate no. 7953

Holy Family with St. Catherine

Luca Signorelli, 1492

oil, woodHigh Renaissancereligious paintingfiguresreligiousfamilybooktableportrait
some experience helpful

Recreating this painting will help students develop skills in portraiture, figure drawing, and subtle blending techniques to achieve smooth skin tones. It also provides practice in rendering drapery and creating a sense of depth through value changes.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figures and the table.

  2. step 02

    Establish the background color with a thin wash of blue.

  3. step 03

    Block in the main areas of color for each figure, focusing on the overall value structure.

  4. step 04

    Begin layering and blending colors to create smooth transitions and define the forms.

  5. step 05

    Pay close attention to the light source and how it affects the shadows and highlights on the figures.

  6. step 06

    Refine the details of the faces, hands, and drapery.

  7. step 07

    Add the details of the book and table.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the depth.

color palette

primary · red ochre · ivory black · titanium white · raw umber

secondary · cadmium yellow · ultramarine blue · viridian

Achieve skin tones by mixing white, red ochre, and a touch of raw umber. Darken colors with ivory black and lighten with white. Use ultramarine blue and viridian for the background sky.

techniques

  • ·portraiture
  • ·figure drawing
  • ·blending
  • ·glazing
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the blending and losing the form.
  • →Using too much paint and creating a muddy effect.
  • →Ignoring the subtle value changes and creating a flat image.

materials

surface · stretched canvas

required

  • ·Stretched canvas 16x20
  • ·Oil paints (red ochre, ivory black, titanium white, raw umber, cadmium yellow, ultramarine blue, viridian)
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·Retouch varnish
  • ·Medium gloss

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Adoration of the Kings

The Adoration of the Kings

Giorgione

The Annunciation

The Annunciation

Vittore Carpaccio

Madonna and Child with Saints Liberale and Francis (The Castelfranco Madonna)

Madonna and Child with Saints Liberale and Francis (The Castelfranco Madonna)

Giorgione

St. Helena

St. Helena

Cima da Conegliano

St. Nicholas of Tolentino

St. Nicholas of Tolentino

Pietro Perugino

Portrait of Elizabeth Gonzaga

Portrait of Elizabeth Gonzaga

Raphael

Sibyl

Sibyl

Dosso Dossi

Madonna with Child and Saints

Madonna with Child and Saints

Raphael