apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Holy Family
Holy Family by Fra Bartolomeo

plate no. 5832

Holy Family

Fra Bartolomeo, 1490

oilHigh Renaissancereligious paintingfiguresreligious scenelandscapearchitectureinfantshalo
some experience helpful

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and achieving soft, blended transitions in skin tones and fabrics. It also provides practice in creating a harmonious color palette and atmospheric perspective.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures.

  2. step 02

    Block in the main shapes and colors of the background landscape and architectural elements.

  3. step 03

    Begin painting the figures, starting with the underpainting of the skin tones using earth tones.

  4. step 04

    Develop the drapery folds and shadows, paying attention to the way light interacts with the fabric.

  5. step 05

    Refine the facial features and expressions of the figures.

  6. step 06

    Add details to the background, such as trees, foliage, and architectural details.

  7. step 07

    Glaze the painting with thin layers of color to create depth and luminosity.

  8. step 08

    Add final highlights and shadows to enhance the overall effect.

color palette

primary · ultramarine blue · alizarin crimson · yellow ochre · raw umber

secondary · sap green · titanium white · burnt sienna

Mix various shades of skin tones using yellow ochre, alizarin crimson, and titanium white. Achieve the blue drapery by mixing ultramarine blue with white and a touch of crimson. Create the greens by mixing yellow ochre and ultramarine blue.

techniques

  • ·figure drawing
  • ·drapery rendering
  • ·glazing
  • ·sfumato
  • ·atmospheric perspective

common pitfalls

  • →Incorrect proportions of the figures
  • →Overly harsh or muddy color mixtures
  • →Lack of attention to detail in the facial features
  • →Flat or lifeless drapery
  • →Ignoring the effects of light and shadow

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel
  • ·mahl stick

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Adoration of the Kings

The Adoration of the Kings

Giorgione

The Annunciation

The Annunciation

Vittore Carpaccio

Madonna and Child with Saints Liberale and Francis (The Castelfranco Madonna)

Madonna and Child with Saints Liberale and Francis (The Castelfranco Madonna)

Giorgione

St. Helena

St. Helena

Cima da Conegliano

St. Nicholas of Tolentino

St. Nicholas of Tolentino

Pietro Perugino

Portrait of Elizabeth Gonzaga

Portrait of Elizabeth Gonzaga

Raphael

Sibyl

Sibyl

Dosso Dossi

Madonna with Child and Saints

Madonna with Child and Saints

Raphael