apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Holy Family
Holy Family by Andrea del Sarto

plate no. 8697

Holy Family

Andrea del Sarto, 1520

oil, woodHigh Renaissancereligious paintingfiguresreligiousfamilydraperylandscapehalo
experienced study

Recreating this painting will develop skills in figure drawing, drapery rendering, and achieving realistic skin tones through layering and glazing. It will also help students understand the principles of Renaissance composition and chiaroscuro.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch outlining the main figures and their poses.

  2. step 02

    Establish the background with a thin wash of color, focusing on the overall tonality.

  3. step 03

    Block in the main shapes of the figures with a mid-tone base color.

  4. step 04

    Begin building up the form of the figures, paying close attention to the light and shadow.

  5. step 05

    Develop the drapery, focusing on the folds and how they define the form.

  6. step 06

    Refine the skin tones with layers of glazes, using warm and cool colors to create depth.

  7. step 07

    Add details such as the hair, eyes, and hands.

  8. step 08

    Apply final highlights and shadows to enhance the three-dimensionality of the figures.

color palette

primary · burnt umber · raw sienna · titanium white · cadmium red

secondary · ultramarine blue · yellow ochre · ivory black

Achieve skin tones by mixing burnt umber, raw sienna, cadmium red, and titanium white. Use ultramarine blue and burnt umber to create dark shadows. Mix yellow ochre and titanium white for highlights.

techniques

  • ·glazing
  • ·chiaroscuro
  • ·figure drawing
  • ·drapery study
  • ·portraiture

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong foundation of light and shadow.
  • →Using colors that are too saturated, resulting in an unnatural look.
  • →Ignoring the subtle variations in skin tone.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·mahl stick

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Adoration of the Kings

The Adoration of the Kings

Giorgione

The Annunciation

The Annunciation

Vittore Carpaccio

Madonna and Child with Saints Liberale and Francis (The Castelfranco Madonna)

Madonna and Child with Saints Liberale and Francis (The Castelfranco Madonna)

Giorgione

St. Helena

St. Helena

Cima da Conegliano

St. Nicholas of Tolentino

St. Nicholas of Tolentino

Pietro Perugino

Portrait of Elizabeth Gonzaga

Portrait of Elizabeth Gonzaga

Raphael

Sibyl

Sibyl

Dosso Dossi

Madonna with Child and Saints

Madonna with Child and Saints

Raphael