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home·artworks·Holiday Sketch at Coogee
Holiday Sketch at Coogee by Tom Roberts

plate no. 6662

Holiday Sketch at Coogee

Tom Roberts, 1888

oilImpressionismlandscapebeachoceantreesfiguresskylandscape
some experience helpful

Recreating this painting will help students develop skills in capturing light and atmosphere with loose brushstrokes and mixing colors to represent natural scenes. It also provides practice in depicting figures in a landscape setting.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line, the large landmass, and the placement of the trees.

  2. step 02

    Block in the sky with a light, muted gray-blue.

  3. step 03

    Paint the ocean with varying shades of blue, creating a gradient from darker to lighter as it approaches the shore.

  4. step 04

    Add the landmass using browns and ochres, suggesting the texture of the terrain with short, broken brushstrokes.

  5. step 05

    Paint the beach with a light, off-white color, adding subtle variations to represent the wet sand near the water.

  6. step 06

    Add the trees, using dark browns and greens, and suggest foliage with small, dabbing brushstrokes.

  7. step 07

    Place figures on the beach, using simple shapes and colors to represent their forms.

  8. step 08

    Add final details and highlights to enhance the sense of light and atmosphere.

color palette

primary · ultramarine blue · burnt umber · titanium white

secondary · yellow ochre · cadmium yellow · raw sienna

Mix blues and whites for the sky and water, adding small amounts of umber to mute the colors. Use umber and ochre for the land, and mix greens by combining blues and yellows.

techniques

  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·alla prima
  • ·color mixing

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Using colors that are too saturated and not reflecting the muted tones of the scene.
  • →Failing to create a sense of depth and atmosphere.
  • →Making the figures too detailed and distracting from the overall scene.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-grain canvas for best results. Consider using a limited palette of colors to simplify the mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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