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home·artworks·Hoddle Street, 10 p.m.
Hoddle Street, 10 p.m. by Arthur Streeton

plate no. 2141

Hoddle Street, 10 p.m.

Arthur Streeton, 1889

oilImpressionismcityscapecityscapestreetbuildingscarriagefiguressky
some experience helpful

This painting offers a good opportunity to practice atmospheric perspective and capturing the mood of a city street at night. Students can learn to simplify complex forms and use loose brushstrokes to create a sense of movement and light.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the perspective of the street.

  2. step 02

    Block in the large shapes of the buildings and sky with diluted washes of color.

  3. step 03

    Establish the darkest values in the buildings and foreground.

  4. step 04

    Begin adding details to the buildings, using thicker paint and visible brushstrokes.

  5. step 05

    Paint the street surface, paying attention to the reflections and highlights.

  6. step 06

    Add the figures and carriage, simplifying their forms.

  7. step 07

    Introduce the warm light sources and highlights.

  8. step 08

    Refine the details and adjust the values to create atmospheric depth.

color palette

primary · ultramarine blue · burnt umber · titanium white

secondary · yellow ochre · cadmium yellow

Mix various shades of blue and brown to create the cool tones of the buildings and street. Use yellow ochre and cadmium yellow to create the warm light sources.

techniques

  • ·alla prima
  • ·atmospheric perspective
  • ·broken color
  • ·scumbling
  • ·dry brush

common pitfalls

  • →Overworking the details
  • →Ignoring the atmospheric perspective
  • →Using too much detail in the background
  • →Creating muddy colors

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·round brushes
  • ·flat brushes
  • ·palette knife

optional

  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a limited palette to simplify the color mixing process. Consider using a toned canvas to establish a mid-tone value.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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