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home·artworks·Hl. Ursula Mit Gefährten (The Dombild Altarpiece, left wing)
Hl. Ursula Mit Gefährten (The Dombild Altarpiece, left wing) by Stefan Lochner

plate no. 3372

Hl. Ursula Mit Gefährten (The Dombild Altarpiece, left wing)

Stefan Lochner, 1445

woodInternational Gothicreligious paintingfiguresreligiouscrownclothingarchitectureflag
experienced study

Recreating this painting will help students develop skills in rendering realistic figures and drapery, as well as understanding the use of color to create depth and form. It will also provide practice in replicating intricate details and patterns.

technical profile

palette complexity
4
brushwork visibility
2
value contrast
3
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the overall composition, paying attention to the placement and proportions of the figures and architectural elements.

  2. step 02

    Block in the main areas of color for the background, figures, and clothing, using thin washes.

  3. step 03

    Begin to refine the shapes and forms of the figures, adding details to the faces and hands.

  4. step 04

    Develop the drapery folds and textures in the clothing, using highlights and shadows to create depth.

  5. step 05

    Add the intricate details of the crowns, jewelry, and architectural elements.

  6. step 06

    Glaze the colors to unify the painting and create a sense of depth.

  7. step 07

    Add final highlights and details to the faces, clothing, and background.

  8. step 08

    Varnish the painting to protect it and enhance the colors.

color palette

primary · red · green · gold · blue

secondary · white · brown · yellow · ivory

Achieve the rich reds by mixing a crimson with a touch of brown. The greens are created by mixing blues and yellows with varying amounts of white. The gold is achieved by layering yellows and browns.

techniques

  • ·glazing
  • ·layering
  • ·rendering drapery
  • ·portraiture
  • ·linear perspective

common pitfalls

  • →Getting lost in the details too early without establishing the overall composition.
  • →Using colors that are too saturated and not creating enough depth.
  • →Failing to accurately render the proportions and anatomy of the figures.
  • →Overworking the painting and losing the freshness of the initial layers.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (red, green, gold, blue, white, brown, yellow)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (small round, flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the overall color harmony.

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