apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Hirte Mit Seiner Schafherde
Hirte Mit Seiner Schafherde by August Friedrich Schenck

plate no. 7973

Hirte Mit Seiner Schafherde

August Friedrich Schenck

oilRomanticismanimal paintingsheepfigurelandscapehillsskywater
some experience helpful

Recreating this painting will help students develop skills in rendering realistic animal forms and atmospheric perspective. It also provides practice in creating a sense of depth and distance using color and value.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, sheep, and landscape elements.

  2. step 02

    Establish the overall color scheme with a thin wash of warm tones for the sky and background.

  3. step 03

    Block in the main shapes of the sheep, paying attention to their relative sizes and positions.

  4. step 04

    Add details to the figure, including the cloak, clothing, and facial features.

  5. step 05

    Develop the landscape, adding details to the rocks, grass, and water.

  6. step 06

    Refine the details of the sheep, including their wool and facial features.

  7. step 07

    Adjust the values and colors to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and shadows to enhance the realism of the painting.

color palette

primary · yellow ochre · burnt umber · titanium white

secondary · ultramarine blue · raw sienna

Mix yellow ochre and burnt umber for the warm earth tones. Use ultramarine blue and white for the cooler tones in the sky and figure's cloak. Add small amounts of raw sienna to warm up the whites for the sheep's wool.

techniques

  • ·glazing
  • ·dry brushing
  • ·scumbling
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a clear value structure.
  • →Using colors that are too saturated.
  • →Ignoring the effects of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes
  • ·palette
  • ·palette knife

optional

  • ·retouch varnish
  • ·painting medium
  • ·easel

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke