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home·artworks·Hilly Landscape with Ravens, in the Bernese Oberland
Hilly Landscape with Ravens, in the Bernese Oberland by Ferdinand Hodler

plate no. 0006

Hilly Landscape with Ravens, in the Bernese Oberland

Ferdinand Hodler, 1910

oil, canvasArt Nouveau (Modern)landscapelandscapehillsskycloudstreesravens
some experience helpful

This painting is a good exercise in simplifying a landscape into basic shapes and using color variations to create depth. Students will learn to mix greens and blues and practice applying paint with visible brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the hill and sky, paying attention to the horizon line.

  2. step 02

    Block in the sky with a light blue, leaving space for clouds.

  3. step 03

    Add white to the blue to create the clouds, using short, broken brushstrokes.

  4. step 04

    Mix various shades of green and yellow for the hill, starting with lighter tones and gradually adding darker shadows.

  5. step 05

    Use horizontal brushstrokes to suggest the contours of the hill.

  6. step 06

    Add small details like the trees and ravens with dark greens and blacks.

  7. step 07

    Refine the colors and values, paying attention to the overall harmony of the painting.

  8. step 08

    Add final touches and highlights.

color palette

primary · cerulean blue · yellow ochre · sap green · titanium white

secondary · burnt umber · ivory black

Mix greens by combining yellow ochre and sap green. Create variations by adding small amounts of burnt umber or white. Achieve the sky blue by mixing cerulean blue with white, and vary the cloud color by adding touches of yellow ochre.

techniques

  • ·broken color
  • ·scumbling
  • ·dry brush
  • ·color mixing
  • ·layering

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Making the sky too uniform and flat.
  • →Not varying the greens enough, leading to a monotonous landscape.
  • →Losing the overall composition by focusing too much on details.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·cerulean blue oil paint
  • ·yellow ochre oil paint
  • ·sap green oil paint
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·round brushes (various sizes)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·painting medium

Use a medium-textured canvas to enhance the brushstroke visibility. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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