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home·artworks·Hillside in Summer
Hillside in Summer by Robert Lewis Reid

plate no. 0729

Hillside in Summer

Robert Lewis Reid

oilImpressionismlandscapetreeslandscapefieldhousefoliagefence
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve subtle variations in light and shadow, and practice layering brushstrokes to create texture and depth in foliage.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, including the tree, fence, house, and hillside.

  2. step 02

    Establish the overall color harmony by applying thin washes of color to the canvas.

  3. step 03

    Begin building up the foliage with small, broken brushstrokes of varying greens and yellows.

  4. step 04

    Define the tree trunk and branches, paying attention to the direction of light.

  5. step 05

    Add details to the fence and house, keeping them soft and slightly blurred.

  6. step 06

    Introduce subtle variations in color and value to create depth and interest in the field.

  7. step 07

    Refine the highlights and shadows to enhance the overall sense of light and atmosphere.

  8. step 08

    Add final details, such as small flowers and leaves, to complete the painting.

color palette

primary · yellow ochre · sap green · titanium white · ultramarine blue

secondary · burnt sienna · alizarin crimson · violet

Mix greens by combining yellow ochre and ultramarine blue with varying amounts of white. Use burnt sienna and alizarin crimson to create warm browns for the tree trunk and branches.

techniques

  • ·broken color
  • ·scumbling
  • ·layering
  • ·color mixing
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the overall impressionistic effect.
  • →Using colors that are too saturated and not blending them sufficiently.
  • →Failing to create a sense of depth and atmosphere.
  • →Ignoring the subtle variations in light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-tooth canvas to allow for good paint adhesion and texture.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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