
plate no. 1922
Edward Robert Hughes, 1897
Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones. It also provides practice in depicting fabric and subtle details.
technical profile
approach — 8 steps
Create a light sketch of the figure's proportions and pose.
Establish the background color with a thin wash.
Block in the main areas of color for the skin, hair, and dress.
Begin layering and blending skin tones, paying attention to highlights and shadows.
Develop the details of the hair, using small brushstrokes to create texture.
Refine the details of the dress, including the lace and ribbons.
Add the necklace and any other jewelry.
Make final adjustments to values and details to complete the painting.
color palette
primary · raw umber · titanium white · yellow ochre · burnt sienna
secondary · ivory black · alizarin crimson · ultramarine blue
Mix various combinations of raw umber, yellow ochre, burnt sienna, and titanium white to achieve the skin tones. Add small amounts of alizarin crimson for warmth and ivory black or ultramarine blue for shadows.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A medium-grain canvas will provide a good surface for layering.
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