apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Hester Street
Hester Street by George Luks

plate no. 0879

Hester Street

George Luks, 1905

oil, canvasImpressionismgenre paintingstreet scenefiguresbuildingsmarketcrowd
experienced study

Recreating this painting will help students develop skills in capturing a sense of movement and atmosphere using loose brushwork and a limited color palette. It also encourages simplification of complex scenes and focusing on overall impression rather than precise details.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
4
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, focusing on the placement of major figures and buildings.

  2. step 02

    Establish the overall color scheme with a thin wash of warm undertones.

  3. step 03

    Block in the larger shapes of the buildings and figures using broad brushstrokes.

  4. step 04

    Begin to define the figures with darker values, paying attention to the direction of light.

  5. step 05

    Add details to the faces and clothing, using smaller brushes and more precise strokes.

  6. step 06

    Create a sense of depth by blurring the details of the figures in the background.

  7. step 07

    Add highlights to the figures and buildings to create a sense of light and atmosphere.

  8. step 08

    Refine the details and adjust the values as needed to create a cohesive and dynamic composition.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · cadmium red · yellow ochre · ultramarine blue

Achieve the muted tones by mixing the primary colors with white and small amounts of the secondary colors. Use burnt umber and black for shadows, and raw sienna and white for highlights.

techniques

  • ·broken color
  • ·alla prima
  • ·scumbling
  • ·impasto
  • ·atmospheric perspective

common pitfalls

  • →Getting bogged down in details too early.
  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Failing to create a sense of depth and atmosphere.
  • →Using colors that are too saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-textured canvas to allow for more expressive brushwork. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann