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home·artworks·Herman Wilhelm Bissen, Danish Sculptor
Herman Wilhelm Bissen, Danish Sculptor by Wilhelm Marstrand

plate no. 8452

Herman Wilhelm Bissen, Danish Sculptor

Wilhelm Marstrand, 1867

oilRomanticismportraitportraitfiguremanbeardclothinghands
some experience helpful

Recreating this painting would help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones and fabric folds. It also provides practice in creating subtle value gradations to model form.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic proportions and pose of the figure, paying attention to the placement of the head, shoulders, and hands.

  2. step 02

    Establish the background color with a thin wash of muted green/brown.

  3. step 03

    Block in the main shapes of the face, beard, and clothing with simplified color masses.

  4. step 04

    Refine the facial features, focusing on accurate placement and proportions of the eyes, nose, and mouth.

  5. step 05

    Develop the beard by layering different tones of white, gray, and yellow to create texture and volume.

  6. step 06

    Render the folds and shadows in the clothing, using subtle value changes to create a sense of depth.

  7. step 07

    Add highlights to the face, hair, and clothing to enhance the three-dimensionality of the figure.

  8. step 08

    Refine the details and edges, paying attention to the overall harmony of the painting.

color palette

primary · titanium white · raw umber · burnt sienna · ultramarine blue

secondary · yellow ochre · cadmium red light

Skin tones are achieved by mixing white, burnt sienna, and a touch of red and yellow. The clothing is created by mixing white with ultramarine blue and raw umber. The background is a mix of raw umber, ultramarine blue, and a touch of yellow ochre.

techniques

  • ·portraiture
  • ·blending
  • ·layering
  • ·value studies
  • ·modeling

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the details too early in the painting process.
  • →Using colors that are too saturated.
  • →Failing to create a sense of depth and volume.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints
  • ·#2 round brush
  • ·#6 flat brush
  • ·#8 filbert brush
  • ·palette
  • ·linseed oil
  • ·turpentine

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

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related guides

oil painting for beginners →how to learn by studying the masters →
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