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home·artworks·Herders Resting at Lunch
Herders Resting at Lunch by William Shayer

plate no. 2106

Herders Resting at Lunch

William Shayer

oil, canvasRomanticismgenre paintinglandscapecattlesheepfigurestreesanimals
some experience helpful

This painting provides a good opportunity to practice rendering soft light and atmospheric perspective. Students can also develop their skills in depicting realistic animal forms and textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the major elements (sky, land, animals, figures).

  2. step 02

    Establish the overall color scheme by laying in thin washes of color for the sky, distant landscape, and foreground.

  3. step 03

    Begin blocking in the shapes of the animals and figures, paying attention to their proportions and poses.

  4. step 04

    Develop the details of the trees and foliage, using a variety of greens and browns to create depth and texture.

  5. step 05

    Refine the forms of the animals and figures, adding highlights and shadows to create a sense of volume.

  6. step 06

    Add details to the foreground, such as grasses, rocks, and other small elements.

  7. step 07

    Glaze the painting to unify the colors and create a sense of atmosphere.

  8. step 08

    Add final touches and highlights to bring the painting to life.

color palette

primary · raw umber · titanium white · yellow ochre · burnt sienna

secondary · ultramarine blue · cadmium yellow · ivory black

Mix muted greens by combining yellow ochre, ultramarine blue, and a touch of burnt sienna. Achieve the atmospheric haze by diluting colors with medium and layering thin washes.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective
  • ·layering

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong sense of light and shadow.
  • →Using colors that are too saturated or intense.
  • →Ignoring the importance of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·painting medium
  • ·easel

Use a medium-tooth canvas for best results. Consider using a limited palette of earth tones to capture the naturalistic feel of the painting.

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oil painting for beginners →how to learn by studying the masters →
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