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home·artworks·Henry Harington
Henry Harington by Charles Turner

plate no. 7212

Henry Harington

Charles Turner, 1799

oilRomanticismportraitportraitfigurebookswritingmanclothing
some experience helpful

Recreating this portrait will help students develop skills in portraiture, including accurate proportions and capturing likeness, as well as understanding subtle value shifts to create form. It also provides practice in rendering textures like fabric and paper.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch of the overall composition, focusing on accurate proportions of the head, body, and placement of the hands and books.

  2. step 02

    Establish the main light source and map out the areas of light and shadow on the face, clothing, and background.

  3. step 03

    Start with a mid-tone base layer for the skin, clothing, and background.

  4. step 04

    Gradually build up the darker values in the shadows, paying attention to the subtle gradations and transitions.

  5. step 05

    Add the highlights to the face, hair, and clothing, using lighter tones to create form and dimension.

  6. step 06

    Refine the details of the face, including the eyes, nose, and mouth, to capture the likeness of the subject.

  7. step 07

    Add details to the clothing, books, and writing materials.

  8. step 08

    Make final adjustments to the values and details to create a cohesive and realistic portrait.

color palette

primary · ivory black · raw umber · titanium white

secondary · yellow ochre · burnt umber

Mix ivory black and titanium white for the grayscale tones. Add small amounts of raw umber and yellow ochre to warm up the skin tones and clothing.

techniques

  • ·grayscale painting
  • ·value studies
  • ·portraiture
  • ·blending
  • ·rendering fabric

common pitfalls

  • →Incorrect proportions in the initial sketch.
  • →Overly harsh or abrupt value transitions.
  • →Lack of attention to detail in the facial features.
  • →Ignoring the subtle color variations in the skin and clothing.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a smooth canvas for best results. Consider using a toned canvas to speed up the painting process.

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