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home·artworks·Helgal, Lootsen Family
Helgal, Lootsen Family by Rudolf Jordan

plate no. 6676

Helgal, Lootsen Family

Rudolf Jordan, 1857

oil, canvasRomanticismgenre paintingfiguresbuildingboatskyvillagemourning
some experience helpful

Recreating this painting will help students develop skills in rendering figures in shadow and creating a sense of depth through atmospheric perspective. It also offers practice in mixing muted colors and capturing realistic textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the building.

  2. step 02

    Establish the background sky and sea with thin washes of color.

  3. step 03

    Block in the main shapes of the building and boat, paying attention to their relative values.

  4. step 04

    Begin adding details to the figures, starting with the darkest shadows and gradually building up the highlights.

  5. step 05

    Mix and apply the local colors of the clothing, adjusting the values to create a sense of form.

  6. step 06

    Refine the details of the faces and hands, paying attention to the expressions.

  7. step 07

    Add the details of the foreground, including the brick path and the small dog.

  8. step 08

    Make final adjustments to the values and colors to create a cohesive and atmospheric painting.

color palette

primary · ivory black · raw umber · burnt sienna · titanium white

secondary · yellow ochre · cadmium red light · ultramarine blue

Achieve the muted tones by mixing complementary colors and adding white or raw umber to dull the intensity. Use thin glazes of color to build up depth and luminosity.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the effects of light and shadow on the forms.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes

optional

  • ·painting medium
  • ·retouch varnish
  • ·easel
  • ·mahl stick

Use a medium-grit canvas to allow for layering and blending. Consider using a toned canvas to help establish the overall value structure.

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oil painting for beginners →how to learn by studying the masters →
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