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home·artworks·Helen Stirling Stuart of Castlemilk
Helen Stirling Stuart of Castlemilk by George Henry

plate no. 8088

Helen Stirling Stuart of Castlemilk

George Henry, 1906

oilImpressionismportraitportraitfiguredresschairhatdrapery
some experience helpful

Recreating this painting will help students develop skills in portraiture, capturing light and shadow on fabric, and using loose brushwork to create a sense of atmosphere. Students will also learn to simplify details and focus on the overall impression of the subject.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the proportions and placement of the figure and chair.

  2. step 02

    Establish the background with broad, loose strokes, using a limited palette of muted colors.

  3. step 03

    Block in the main shapes of the figure, paying attention to the light and shadow patterns on the dress.

  4. step 04

    Develop the facial features, focusing on capturing the likeness and expression of the subject.

  5. step 05

    Add details to the dress and chair, using smaller brushes and more precise strokes.

  6. step 06

    Paint the hat, paying attention to the subtle variations in color and texture.

  7. step 07

    Refine the overall composition, adjusting the values and colors as needed.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · ivory black · raw umber · titanium white · yellow ochre

secondary · cadmium red light · ultramarine blue · burnt sienna

Achieve the subtle variations in the dress by mixing white with small amounts of raw umber, yellow ochre, and cadmium red. Use ultramarine blue and burnt sienna to create the darker tones in the background and shadows.

techniques

  • ·scumbling
  • ·dry brushing
  • ·glazing
  • ·alla prima
  • ·chiaroscuro

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Failing to capture the likeness of the subject.
  • →Using too much detail in the background, distracting from the figure.
  • →Not paying attention to the light and shadow patterns on the dress.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·#4 round brush
  • ·#8 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

Use a medium-grain canvas for best results. Consider using a toned canvas to help establish the overall color scheme.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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