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home·artworks·Helen of Troy
Helen of Troy by Evelyn De Morgan

plate no. 1966

Helen of Troy

Evelyn De Morgan

oilRomanticismmythological paintingfiguredraperylandscapearchitecturebirdsflowers
experienced study

Recreating this painting will help students develop skills in rendering realistic skin tones, drapery folds, and creating a sense of depth through atmospheric perspective. It also provides practice in capturing delicate details and textures.

technical profile

palette complexity
4
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the figure's pose and the placement of key elements.

  2. step 02

    Establish the background landscape with broad washes of color, paying attention to atmospheric perspective.

  3. step 03

    Block in the main shapes of the figure and drapery, using a mid-tone base color.

  4. step 04

    Begin building up the form of the figure, focusing on light and shadow to create volume.

  5. step 05

    Develop the drapery folds, using highlights and shadows to define the fabric's texture and movement.

  6. step 06

    Add details to the face, hair, and accessories, paying attention to subtle variations in color and tone.

  7. step 07

    Paint the surrounding elements, such as the balcony, flowers, and birds, adding details to create visual interest.

  8. step 08

    Refine the overall painting, adjusting values and colors as needed to achieve a harmonious and balanced composition.

color palette

primary · rose madder · titanium white · yellow ochre

secondary · cerulean blue · viridian green · raw umber

Achieve the delicate skin tones by mixing white, yellow ochre, and a touch of rose madder. Create the drapery's subtle variations by adding small amounts of blue or green to the rose madder base.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·atmospheric perspective
  • ·rendering drapery

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated or intense.
  • →Ignoring the subtle nuances of light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·round brushes (sizes 0-4)
  • ·flat brushes (sizes 6-10)
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·retouch varnish
  • ·painting medium
  • ·easel

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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